Publisher David Bryce was known for his miniature versions of famous works. Take a look at Mareike's post about the various miniature editions of Shakespeare's works that we get to keep in our Collections.
Norma Hampson is a long-standing volunteer at the Shakespeare Centre Library and Archive and has written this blog to share details from her current project: listing visitors from the early Birthplace visitor books. Meet James Cathcart, Tragedian.
Gemma Sykes takes a look at how artist William Hogarth used the 1727 production of William Shakespeare and John Fletcher's play 'All is True', or 'Henry VIII', to comment on eighteenth century British politics.
James Orchard Halliwell-Phillipps was a notorious antiquarian who collected books but also had a habit of cutting them up and removing his favourite pages.
What is husbandry, and what does it mean in Shakespeare's plays? Intern Elena Porter refers back to Thomas Tusser's "Five Hundred Points of Good Husbandry" to expound upon the subject.
In the 18th century, authors began to reinterpret and adapt Shakespeare's plays through text and performance, producing such intriguing versions as 'The Enchanted Isle' and Nahum Tate's 'King Lear'.
Who were William Shakespeare’s patrons? Find out about one of them: Henry Wriothesley, 3rd Earl of Southampton. His portrait can be found in our Collections.
A new online catalogue for the collections of the Shakespeare Birthplace Trust launched in April 2016, enabling a more concise and navigable way to browse the content in our collections.