Liz Berry
New poetry commissioned exclusively for the Shakespeare Birthplace Trust
We're delighted to share these new works by Liz Berry, as part of our online poetry celebrations.
BLUEBELLS
Halfway through my
life
I knelt in a wood of
blue flowers.
They were offering
their bodies to the
sun;
its kindness flooding
them
with a wild green
grief.
They had been in
darkness
for so long.
I let my voice disappear
like a wren into the violet
as their words ran
through me.
My sisters.
Lift your face to the
light,
they said,
you must not be
afraid.
FLORA
In Spring, I let
myself go wild -
throw away the
blades, waxes, little pots of stinking cream
and grow myself a
garden
where grass sways
lush
and foxgloves
bare their haughty throats to bees.
I close my ears
to Winter's yammering,
trail curious fingers
through bluebell
and May Queen,
seek that spot as
twitchy as a wren’s heart
that sings when
touched.
Every dawn is an
unbudding:
hares box, worms
rile in blind bliss,
girls, those
harebells, rise from their beds
ready to stir the
quiet earth.
I hum like a zephyr
and the world answers.
O I am what the
city, huddled in the long slush of thaw,
has dreamt of
these nights: gold, green,
a balm of dock upon
its stung flesh.
I turn cherry
trees to debutantes curtseying in silk,
tower blocks to copses
sighing with light.
About Liz Berry
Liz Berry was born in the Black Country and now lives in Birmingham. Her first book of poems, Black Country (Chatto 2014), described as a ‘sooty, soaring hymn to her native West Midlands’ (Guardian) was a Poetry Book Society Recommendation, received a Somerset Maugham Award and won the Geoffrey Faber Memorial Award and Forward Prize for Best First Collection 2014. Her pamphlet The Republic of Motherhood (Chatto, 2018) was a Poetry Book Society Pamphlet choice and the title poem won the Forward Prize for Best Single Poem 2018. Liz is a patron of Writing West Midlands and works as a tutor for organisations including the Arvon Foundation and The Poetry School.
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