This glass bowl was made at the most fashionable glass-making factory in Tudor England, and represents possible connections to childbirth and rituals of post-natal female festivity.
By comparing costumes in the RSC collection with production archives held at the Shakespeare Birthplace Trust, the 'Shakespeare by Design' team was able to find some discrepancies and correct documentation.
Guy Woolfenden, renowned theatre composer for the RSC, discusses his experience with the intricacies of creating music that brings Shakespeare's plays to life.
It is likely that for many households, their loaves were probably more often baked in community ovens, aided by the use of bread peels, such as this one in the Shakespeare Birthplace Trust collections.
The 'Shakespeare by Design' project team aids in preserving important costumes for the RSC. There are many dangers that face costumes as time passes and the elements take their toll.
The Shakespeare Birthplace Trust's collection of parish church registers helps us to know about the birth, life, and death of William Shakespeare, as well as aiding us in finding the genealogical records of local families.
This week’s 'object’ is, in fact, a building; Hall’s Croft is a house traditionally associated with William Shakespeare’s daughter Susanna, who married the physician John Hall in 1607.